![]() I watched one of them that was a series of short stories. Then there was this question of how shows should reflect or not reflect the pandemic, and there were a few shows about the pandemic midway through it. One of the weird things was the question of how TV production worked during the pandemic, because a lot of shows had to stop producing. Now, people remember in this foggy way, “Why were we all watching Tiger King?” I didn’t actually watch that one. ![]() People were watching things, and there was this sort of binge-watching phenomenon that took place involving certain shows that became cultural crazes. I only know the things that trend pieces talk about, much of which was during quarantine. I like TV, so I was watching a bunch of shit. I’ve only had a tourist’s relationship with television, and right after I went on leave, I wasn’t watching a lot of TV because I’d been watching so much before. ![]() So, I haven’t been writing column during this time. In the years since then, with the entire world looking much different than it did prior to 2020, do you think there’s been continued improvement in what’s considered “good TV?”Įmily Nussbaum (EN): The pandemic started when I went on leave to write my second book, and I’m writing a book about early reality television right now. ![]() Kellie Rizer Stewart (KRS): Your debut book, I Like to Watch: Arguing My Way Through the TV Revolution, was published in 2019. ![]()
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